Channels A and B can be combined to mix up to 64 channels simultaneously. EQ can be disengaged on any channel (A or B) for recording or for comparison at any time. The A channels have parametric EQ with a variable Q, whereas the B channels have high and low band EQ, which can instead be switched to the main channels upon mixdown. The Soundcraft Ghost 32 has 32 A (main) channels with faders and 32 B (return) channels with knobs. I had an old boss Soundcraft modular 32/8 (desolated I remember all of the model) ben frankly I had found the much better than ghost, the moral of this story, as would say our friend Cabrel " it was better before "!! It was not me but frankly I 'not will buy, and I would advise not. I see NO, but then NO connection with SSL, so after c may be I am difficult (and I have never boss over SSL jespere but frankly it sounds better than that !!) but I'm not sure if wanted. Okay so obviously the price has nothing to do but easy to see why. I'm working on it for 3 months, and after having had the opportunity to work on REAL Studio consoles (Sony, Amek, Trident, Lafont) ben frankly I'm disappointed. In terms of eq I'm Strongly believes either, fo that they grow to be truly effective and suddenly is twisted slightly the original signal. Okay so I am rather disappointed, after the test was decid preamps use only external preamps (LA Audio Nagra) I currently recording a top album (on a tascman HD24 24 tracks on DD)įor features plenty to do, lots of tracks, lots of items. Quite full, with 8, mute automation, 4-band eq I believe, two parametric bands. Rather imposing studio table 32 channels 24 channels + extensionĬ is a combination of split and in-line (a switch on each slice to move from between the magneto returns) which allows two-way 56 times (!!)
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